4 posts tagged “sir peter maxwell davies”
"In a nation that prides itself on hockey to the point of obsession, there is something else in which we can take justifiable national pride, our young, female singer-songwriters. And for my money Allison Crowe is the best of the bunch, certainly the most versatile," says veteran Canadian journalist Bruce Mason.
Witnessing these past three weeks of Tidings concerts, originals and covers, of rock, folk, jazz, pop, gospel, and blues, settles the score - without need for overtime or shootout.
Many top talents have laced up their skates over the years. Supremely rare, though, is Wayne Gretzky. Bobby Orr. And, so it is with music.
Allison Crowe is emerging as one of the true greats in her arena. From hometown glory to international audiences.
Not since a post-Schmorgs-pre-Poisoned Art Bergmann commanded the stage of Vancouver’s Commodore Ballroom has a young Canadian so purely manifest the exuberant spirit of rock and roll. Like Bruce Springsteen in his 1970s prime, Crowe delivers rock music as a religious experience. Her talent is transcendent.
And the testifying grows with each performance and recording.
Ted and Jerry Gibson, fans who traveled 650 miles, from Boise, Idaho to Victoria, B.C., for a December 8 concert were moved especially by an epic rendition of Allison Crowe’s song “Disease” - noting: “We loved it, were amazed by it, were consumed by it.” Writing in the current issue of Boulevard magazine, reviewer Robert Moyes says Crowe’s live take on “I Never Loved a Man”, (from her album “This Little Bird”), "would give Aretha Franklin goose-bumps."
Visceral North American reactions mirror those across the pond, where Allison Crowe was most recently a sensation at the John Lennon Northern Lights Festival in Durness, Scotland. Festival Director Mike Merritt describes Crowe's performance as "awesome" and "spine-tingling", adding: "Allison has put Canada well and truly on the map here!"
In a BBC documentary about the event, crowned the UK’s Best New Festival, Merritt recounts bringing Allison Crowe together with Carol Ann Duffy, the UK’s most popular living poet, and Sir Peter Maxwell Davies, the Queen’s Master of Music, on the Lennon fest’s classical music night:
“I had a nightmare, I tell you, that day. I had a string quartet coming. And, unfortunately, literally as they checked in, the cellist was taken ill. As most people know you can’t replace a cellist, especially in Durness, at the last minute.
And, so, I was left with a dilemma - what do I do? And as I mentioned earlier, everything that happened I thought went wrong, happened for a reason to be better. And I brought in Allison Crowe.”
Merritt wondered how it’d work - a 26-year-old musician from Canada bridging performances by Carol Ann Duffy, “arguably the world’s greatest poet”, and Sir Peter Maxwell Davies, “one of the world’s greatest-ever composers”. The gamble paid off magnificently. “My word, did that put hairs on the back of your neck! (Crowe’s performance) brought the house down.”
Hear John Lennon Festival Director Mike Merritt chatting with BBC Radio Scotland’s Iain Anderson and more of the BBC documentary
And hear Allison Crowe's song, “Alive and Breathing".
European and North American tour dates are in planning for 2008.
"I always felt free in Scotland," said John Lennon.
That freedom was shared by artist and audience alike earlier this year at a Festival in Durness named in tribute to the much-loved musician, writer and peace activist. In spirit and body, family, friends and fans of John Lennon came together in the Scottish Highlands for three days of music, poetry, drama and more - under the Northern Lights.
Last week, at a ceremony in London, England, the John Lennon Northern Lights Festival was named "Best New Festival" at the UK Festival Awards - joining long-standing celebrants, such as the Isle of Wight and Glastonbury festivals, on the winner's podium. Hearty congratulations are due Festival Coordinator Mike Merritt and his team, and to all the people. Imagine ( :
Singer-songwriter Allison Crowe's honoured and delighted to be Canada's musical ambassador to the event, sharing the stage and experience with an eclectic line-up, including: the original Quarrymen (John's skiffle group which evolved into The Beatles); contemporary UK chart-toppers Nizlopi; premiere Scottish jazzer Todd Gordon and his combo; Britain's most popular living poet and playwright Carol Ann Duffy (second only to William Shakespeare among university-age readers); punk poet John Cooper Clarke; members of the Royal Academy of Music; all together with the Queen's Master of Music, composer/conductor Sir Peter Maxwell Davies (in a joyful musical triumph, his first public performance in 15 years).
During the Festival in Durness in late September, John's family gathered for the dedication of a simple plaque - now on the family croft above the waters and sands of Sango Bay. It says: "John Lennon 1940-1980, Musician & Songwriter, lived here".
Och aye. He's living there still.
###
Half a million strong: Allison Crowe's music gets back to where we once belonged
success. Three performances = three standing ovations. Highlights, among
many, of the visit include performing songs of John Lennon for members
of John's family, meeting and dining with the Queen's Master of Music,
Sir Peter Maxwell Davies, and his partner Colin Parkinson, and, simply,
sharing the joy and wonder of music and nature with people from Glasgow
and Edinburgh to the Highlands. (Not to forget the haggis stand outside
the Village Hall in Durness - and Sergeant Pepper's Soup Kitchen.)
With more concerts already booked, from May to September 2008, the
mutual love and respect between friends and fans in this most hospitable
land is fast making Scotland a bonnie "home from home" for Crowe, one of
the world's most exciting, and down-to-earth, musicians. Accepting
invitations to the Orkneys and Liverpool, (named the European Capital of
Culture for '08), is also in score for next year.
Allison Crowe's welcomed back to North America by news that Bob Muller,
curator of song covers at JoniMitchell.com, includes her recording of "A
Case of You" in the latest "Joni Covers" volume - with these words:
"Another fine entry in the Joni Covers pantheon for Allison, who first
wowed us with her electrifying take on River. This time 'round she picks
another Blue selection and imbues it with her sensitive singing and
playing. From her 2006 release 'This Little Bird', all of which is as
tasty as this track."
The world of video, along with audio, is embracing with conviction.
YouTube viewership for Crowe's take on Leonard Cohen's "Hallelujah" is
over half-a-million strong (leading still more to her freshly definitive
'Tidings' album version of the song). Promising to become another,
future, reel highlight, makers of what can genuinely be called one of
the most highly anticipated Hollywood movie projects in twenty+ years,
have requested use of two of Allison's recordings for this major motion
picture. (More word on film production to follow, naturally.)
If we got ourselves back to the garden, when rock music was most vital,
Allison Crowe would blow audiences away at the Fillmore, at Monterey, at
Woodstock. Today, she plays for people on the stages of YouTube,
Jamendo, Last.fm (and other online forums where audiences gather to
enjoy her remarkable, and peerless, mix of originals and
interpretations). And, of course, the live experience comes together -
from the just-wrapped John Lennon Northern Lights Festival to her
upcoming Tidings concert series (dates and locations tba) - wherever she
travels.
In a age of commercial trends and calculated retro acts, Allison Crowe
delivers something else entirely as a singer-songwriter - a visceral
expression of freedom. We haven't had that spirit here, well, since
1969.
###
http://living.scotsman.com/index.cfm?id=1570482007
The Scotsman Tue 2 Oct 2007
LIGHTING UP DURNESS IN LENNON'S MEMORY
THE JOHN LENNON NORTHERN LIGHTS FESTIVAL ****
VARIOUS VENUES, DURNESS
SITUATED closer to Oslo than Liverpool, it's easy to see why John Lennon
spent so much of his youth in Durness. With its white, sandy beaches and
picture-perfect mountainous terrain, a story hides behind almost every
rock in this remote village in the north-west highlands. The Northern
Lights - the only thing to get a Scotsman to stand outside without a
coat in late September - made an appearance, but the real magic was
going on under the sky, as people from all around the world gathered to
pay homage to Lennon's spirit.
At the Sango Sands Oasis, Lennon's first band, The Quarrymen, delighted
onlookers with a skiffle set and stories about John while giving people
in the audience a chance to play with them on washboard.
Meanwhile, a mile down the road at Smoo Cave - a spectacular smugglers'
cove believed to be the abode of spirits who guard the entrance to the
netherworld - there was the surreal sight of Mr Boom. An entranced group
of kids sat between the limestone cliffs as the one-man-band entertainer
took them to another planet.
A stone's throw away at the village hall, Canadian angel Allison Crowe
gave one of the weekend's most magical moments, earning one of few
encores for her solo rendition of Lennon's In My Life (a song inspired
by Durness).
Students from the Royal Academy of Music injected new life into the
Beatle's work later on with new, inspired arrangements of Norwegian Wood
and Imagine. Their mentor, Sir Peter Maxwell Davies, however - making
his first public appearance in 15 years - played an ingenious number
called Clouds on a badly-tuned piano borrowed from the local bookshop.
He wrote it, Davies said, when he was 11 years old. You could almost
imagine an 11-year-old John Lennon listening to it in wonder too.